{ Printmaking Series #3 : Applying Color } : Spring 2021

In this week’s Printmaking post, I will discuss the color that can be applied to your plate. Depending on your printing preference (I love grungy, multi-layered prints), color can be applied in a wide variety of ways.

Lower End Liquid Acrylic Paints

My go-to when it comes to color is acrylic. I use anything from the liquid kind shown above (the cheap kind that you can find in abundance at any craft store) to higher end paint (see image below), which is thicker and takes more effort to evenly distribute over the plate.

Higher End Acrylic Paints

I do want to mention that the type of paint that you use will impact how your prints turn out. While the liquid acrylic paints are easier on your wallet, I am not always excited about how the color dries due to the low quality of pigment used in the paint. Higher end acrylic paints may cost more up front, but I am happier with the results.

When you first start printing, I recommend using the lower quality paints. Printing is an addictive art form! You can easily spend an entire afternoon experimenting with your printing plate. This is great for accumulating papers for bookmaking and collages and you do go through A LOT of paint when you are first learning how to print.

Various India Inks

While I typically prefer to use acrylic paints, I do use other mediums to print. India Inks are some of my favorite when I want to prep papers to print. I will make various marks (such as lines, dashes, splatters). Adding marks prior to printing will add depth and texture to your prints.

Watercolors

Watercolors are another medium that I use with my prints. I use them like I do India inks. I make marks on blank paper as a way to prep paper for printing. While I enjoy using papers I found or salvage, I also use new paper when.creating covers for books that I will eventually sell. That paper is a heavier weight and can withstand several layers of wet mediums.

You don’t always need the most high end art supplies to create a beautiful print. Buying watercolors at your local grocery store will work just as effectively as the high end ones you would find at an art store. But as your learning your printmaking style, start off easy (and cheap!) with your supplies.

Are you getting excited and ready to print! I know I am! Starting in April, I am going to participate in a 30 Day Mark Making Challenge. I have done these in the past and they are loads of fun! So what do you say? Want to join me in making some fun and funky artist books?

{ Artist Book : Green Grass & High Tides } : Winter 2021 //

Artist Books are some of my absolute favorite books to work in and to develop as a Book & Paper Artist. With so many found, handprinted and gel printed papers that are way too beautiful to throw away, Artist Books are the perfect solution to house funky collages and practice mark-making and hand lettering.

Artist Books take me YEARS to complete. As I loose interest or motivation in a particular book, I put it away and wait for inspiration to return. This way I have lots of techniques to choose from as my skills develop and I can watch my progress as an Artist over the years. The collages that you see now are not what the final collage will look when completed.

This Artist Book below is 4.5 x 8 x 1” using Canson Watercolor paper. There are (5) signatures bound together using a coptic stitch. In each of the pictures below, I describe the materials I use to create the collages that you see.

The cover of this book was created using a brown grocery bag. The hand lettering was applied using black walnut ink and a handmade cola pen. Collage papers include spray ink (my favorite are Dylusions!), handprinted papers using acrylics and handmade stamps and the black fern prints with a bleach discharge. The back cover is eco-printed on reclaimed wool.

This spread includes found papers, reclaimed paint chip, one of those beautiful gel printed paper scrap, scrapbook paper and hand lettering. I practice hand lettering as often as possible. Artist Books are a great place to work on that particular skill!

This spread includes spray inks, mark-making using black India ink and another handprinted gel print on found paper.

This spread includes spray ink, mark-making using black india ink applied with a handmade cola pen and elementary handwriting paper.

This spread includes spray ink background, watercolor (wet on wet application), hand lettering using black walnut ink applied using a handmade cola pen, and various found papers

How about you? Do you have books that you like to work in? How do you like to work in them? And if you are looking for the next installment of my Printmaking Series…do not worry! It is coming up in my next post. I got excited working in my Artist Books and wanted to share!

{ Little Red Corvette } : 3x 5 x 1" : New Work by Becca Imbur // November 2020

{ Little Red Corvette } : 3 x 5 x 1” : Spine View

{{ Little Red Corvette } : 3 x 5 x 1” : Front View

{ Little Red Corvette } : 3 x 5 x 1” : Back View

{ Little Red Corvette } : 3 x 5 x 1” : Binding View

{ Ecoprinting & Natural Dyes } : Workshop in Review : Day One // Floyd, VA

In Saturday, October 19th, 10 wonderful women gathered together to learn how to use local (and not so local!) foliage, kitchen waste (onion skins, red cabbage, etc.) to create dynamic prints on silk and wool.

A group shot of all the workshop participants with their favorite textile

We learned about choosing the best fabrics for printing, how to prep our fabrics by scouring and mordanting, how to roll bundles and the importance of contact to execute successful printing.

Here are some of the results of our fabric bundles with loads more images to come…and this was just Day One. We still have printing on paper and making natural inks to explore!

{ Designing Artist Books : Workshop in Review } : Floyd, VA //

This past weekend, seven women gathered at the Floyd Center for the Arts for the Designing Artist Books workshop.

Group photo! All the amazing ladies that designed Artist Books with me this weekend!

Plus Grace, who had to leave early for the opera!

We explored many background paper techniques using wet-on-wet and dry processes. The end product was less important than the process. We learned to not judge what was made since the paper would be used as a piece and not as a whole. This can be a challenging concept for many people!

Using watercolors and rubbing alcohol to create unexpected results on paper

We made as many papers in 4 hours as we could. The participants could use any technique that they learned that day to make their cover paper.

MaryJo exploring art and science while creating her background papers

Spray inks are always a huge success! Being highly pigmented make them very attractive to students of all ages.

Anne LOVES her ghost prints!

Penny and Suzanne exploring spray inks…the possibilities are endless!

Using everyday items found easily, on the cheap or around the home make pattern easy to create.

MaryJo using handmade stamps on black and Kraft cardstock paper

Our books are 6 x 6” while our papers are much larger. Participants cut down their papers to he desired size. This leaves them with loads of handprinted scrap paper to use as collage within their books.

Pat using scraps of her handprinted papers to collage her pages

We had an AMAZING time creating in community. The great thing about these books are that you can add, takeaway, make pages in any size, put int ages, envelopes, pockets and fold out pages. This is a book that is never done…making it organic and endless.